The Communicativeness of Security Media in Contemporary Arabic Theatrical Texts (What Happened After That as a Model)

Abstract

Abstract

This study focuses on "The Communicativeness of Security Media in Contemporary Arabic Theatrical Texts (A Case Study of the Play What Happened After That)", investigating both the explicit and implicit messages of security media communication and their intellectual and aesthetic impact on the audience (readers).

The research comprises four chapters: Chapter One (Methodological Framework): This chapter includes the research problem, formulated around the following question: "What is the nature of the communicativeness of security media in contemporary Arabic theatrical texts, with the play What Happened After That as a case study?"

The chapter also highlights the importance of the research in understanding the nature of security media communication and its societal influence. It identifies the study as a valuable contribution to knowledge, particularly for students and researchers in fine arts colleges and institutes. The research aims to analyze the communicativeness of security media in contemporary Arabic theatrical texts, with a focus on the specified play. The research scope is limited to the year 2010 and examines Arabic theatrical texts. The chapter concludes with definitions of key terms.Chapter Two (Theoretical Framework): This chapter is divided into two sections:

1. Investigating the origins and concept of media communicativeness.

2. Examining the role of media in theatrical texts.

The chapter concludes with a review of previous studies and indicators derived from the theoretical framework.

Chapter Three (Research Procedures):

The researchers analyzed What Happened After That (written by Hilal bin Saif Al-Badi, 2010) as the study's sample. The study yielded several key findings, including:

1. Communication forms vary, as does the feedback resulting from information transmission and reception, depending on their nature.

2. Combating rumors is depicted as a deterrent to media-based misinformation within society, as represented in the theatrical text.

The chapter also includes conclusions, recommendations, and suggestions for future studies. The research concludes with a bibliography.