The visual stimulus for the idea of hybridity in the editorial works of Ali and Nasser Samari

Abstract

Research summary

The research dealt with the study (the visual stimulus of the idea of ​​hybridization in the works of Tahrir Ali and Nasser Sammari). The researcher studied the subject of the visual stimulus in the aesthetic field and revealed the sources of this duality throughout the history of plastic art, specifically in the art of painting, as the research contained four chapters. The first chapter dealt with (the methodological framework of the research) if it included the research problem, which the researcher summarized by asking how it was (how was the idea of ​​hybridization represented in the artworks of Tahrir Ali and Nasser Sammari) if both the problem included research into the artistic and technical style followed by the artists and the extent of its influence, and then the importance of the research and the need for it, and the aim of the research: The current research aims to: reveal the idea of ​​hybridization in the works of the artists Tahrir Ali and Nasser Sammari and what is generated through these artworks of visual excitement for the recipient, and the limits of the research: from the year (2017-2020) because it represents an important period of the artists' activity, and to define the terms as well as the procedural definitions that agreed with the researcher's point of view. Chapter Two: Which represents the theoretical framework, as it contained three topics. The first topic: Which represents the theoretical framework, and the first topic had addressed the concept of the exciting in aesthetic dystrophy. As for the second topic: The philosophical dimension of the idea of ​​hybridization. As for the third topic, the researcher addressed it and divided it into two axes: 1- The idea of ​​hybridization in modern arts, 2- The idea of ​​hybridization in post-modern arts. The second chapter concluded with the indicators of the theoretical framework. As for the third chapter: It was devoted to the research procedures, so it reviewed the identification of the research community and the selection of models from the community as a sample and the identification of the method used in the research. As for the fourth chapter: It was devoted to presenting the results that the researcher reached through the analysis of the selected sample. 1- The concept of the idea of ​​hybridization in the works of the artist Tahrir Ali may have been through the photograph with some heritage symbols as in the model (1). 2- The emergence of hybridization by artist Nasser Sammari through contemporary thought to express a lifestyle based on difference and contrast by using ready-made materials, metal sheets, and building them on the wall with additions of symbols, codes, and monochromatic colors in the shade as in model (3). And the conclusions: reflected from them, and the research ended with a list of approved sources. 1- The adoption of hybridization by artists Tahrir Ali and Nasser Sammari, the idea and imagination to produce through them meanings and connotations formulated in new formations in which everything drawn in their thought is reconstructed and this idea is transformed into an artistic achievement that mimics the character of the era. 2- The performance helped artists Tahrir Ali and Nasser Sammari to mix the data through the idea of ​​hybridization and in methods whose topics differ, as the trends, with their differences, gave the contemporary artist opportunities to select the vocabulary with which he deals with his topics.