The aesthetics of movement formation in contemporary Iraqi theatrical performance (The case of the donkey's shadow) as a model

Abstract

Abstract of the research:

 The current research dealt with the movement formation and its aesthetics in the contemporary Iraqi theatrical performance. The research consisted of four chapters. The first chapter dealt with the research problem, which was determined by the following question: What are the aesthetics that are created through the movement formation in the contemporary Iraqi theatrical performance? The importance of the current research lies in shedding light on the movement of the elements of the theatrical performance and the significance of the formation that emerges through this movement within the theatrical performance and the image that these elements form at a single moment in time in which the elements of the performance blend in order to form a scenic image. As for the goal of the research, the current research aims to identify the aesthetics of the movement formation in the contemporary Iraqi theatrical performance. The research was spatially determined in Dhi Qar Governorate and temporally in 1992, and objectively the aesthetics of the movement formation in the contemporary Iraqi theatrical performance (The Donkey's Shadow Case), in addition to the technical and procedural definitions included in the research. The second chapter included two topics: the first dealt with the movement formation conceptually, while the second dealt with the aesthetics of the movement formation in the directorial directions. Then the chapter concluded with the indicators that resulted from the theoretical framework. As for the third chapter, it included the research community and its sample, and took indicators The theoretical framework as a tool for analyzing the sample, while the fourth chapter contained the results, the most important of which are: 1) The time factor divided the time paragraphs and played its role in adding and creating the kinetic formation according to an organized kinetc rhythm.

1)    The kinetic formation revealed intellectual connotations in different scenes that enriched the discourse of the theatrical performance. This chapter also contained conclusions, recommendations and suggestions.