Disorder in Contemporary Arab Sculpture

Abstract

Research Summary :

     The study of the disorder in contemporary Arab sculpture is of great importance in delivering the transformations and intellectual and historical influences, as well as the cognitive diversity that the art of sculpture has undergone around the world, as well as the diversity of methods and techniques used by the artist, which made it affect the aesthetic values of works of art and how to make them uneven between works, according to the impact obtained, the research deals with the study of the disorder in contemporary Arab sculpture, on works of art that were affected by techniques, diversity, difference and development. The direct result, and the lack of the art library for such a study, which includes four chapters. The first chapter contains the problem of research, which crystallized by questioning the disorder in contemporary Arab sculpture. And the importance of research, as it aims to reveal the disorder in contemporary Arab sculpture.

         The second chapter / the theoretical framework of the research included two sections: the first section / the concept of non-order philosophically. The second topic / the role of disorder in sculptural work. The researcher dealt with the philosophical foundations of the system and its role in the intellectual and technical impact and contribute to the creation of irregular works of art. The third chapter / included the procedures of research, description and analysis of the work of the research sample of (4) models. The fourth chapter contains the results of the research and conclusions, followed by a set of recommendations and proposals.

Among the most important results of the search are:

1. The sculptor adopted multiple philosophical foundations by undermining the system of formal formats of sculptural works through the elements of the formation of sculptural work and striking the rolling system in traditional patterns, and creating new forms that were not previously tracked as in the model (3,2,1,4).

2. The system allowed freedom for the sculptor to introduce non-traditional materials and raw materials without being restricted to one material and how to deal with them technically in particular, to achieve interaction between the material and the recipient and stay away from the traditional technical aspect, as a result of scientific intellectual development that allowed sculptors to know how to deal with the material used as in the model (1, 2, 3, 4).