توظيف الحرف العربي في الخزف الاردني للخزاف محمود طه أنموذجا

Abstract

Research Summary                                      

 The current research is summarized                                                                                                            

The first chapter includes the research problem, the importance of the research, the need for it, its objectives, its limits, and definition of terminology.

The second chapter / includes the theoretical framework that included the first section. The first chapter may include the emergence and development of Arabic calligraphy and also includes the types and types of Arabic calligraphy, including Kufic, Thuluth, Naskh, Commentary, and other scripts.

The second chapter includes the theoretical framework that includes the study of employing the Arabic letter in Jordanian ceramics.

The third chapter includes the research procedures, the research community, and the research sample.

The fourth chapter includes results, conclusions, recommendations, and proposals.

One of the most important findings reached by the researcher is:

 - 1-The Jordanian potter sought to employ the Arabic letter within his ceramic products through multiple implementation methods that relied on different sculpting techniques.

  -2-The nature of the line in terms of whether it is sharp, straight, flexible, or curved is linked to the nature of the material

 -3-The color blue and its shades appeared as a kind of manifestation of divine powers

 4-The aesthetics of employing the Arabic letter appeared in the spherical formation of potter Mahmoud Taha

Conclusions

  1-Inspiring ideas from the cultural heritage and bringing out the aesthetic values ​​that were employed in the spirit of the potter Mahmoud Taha

 -2-The study showed the Jordanian potter who employed the Arabic letter in his ceramic works in a clear and intentional manner.

Sources and references.