Conceptual Distinction in the Contemporary Iraqi Theatrical Text

Abstract

Abstract:-

   Nations celebrate their artistic and literal that are distinguished conceptually to boost the concepts of cultural identity and scientific cognition then being added to the deeds of nations, there are many deeds in the cultural progress that history glorifies them due to their importance and intellectual, stylish and innovative distinction, play text is one of these most important deeds that imitate the reality and criticized it and discover its contradictions by aesthetic conceptual methods that consider science, cognition and philosophy as ways of discussion and disputes to show needs of society and problems, then treat them by dramatic contemporary methods and the viewer being present, participant and critic.

The problem of the research was determined by the following question:-

What is the conceptual distinction in the texts of Iraqi stage?

The research includes in the second chapter two sections :- the first section is the conceptual distinction by concept, second section is the conceptual distinction in the stage art. The population of research was determined in the third chapter and included five Iraqi plays for the period (2024-2016) and analyzing two plays as analytical pattern to find out the results , they are ( Layla Matera) and ( Fantastic Drama Happened in 2030), most important results are :-

 The conceptual distinctive text takes strategy of dissembling authorities, centers and refer to the collapse of subjective fact and exceed the reality.

The conceptual distinctive text based on social, cultural and conceptual transformations by growth of disappearing techniques by the hidden style and symbolic coding to the concept of refusing the eternity of authority and fragment of affiliation and dissembling of identity in the shed of bureaucratic hypotheses.