The Aesthetic Dimensions of Hologram Technology in Contemporary Global Fine Art

Abstract

The researcher addressed the study (the aesthetic dimensions of hologram technology in contemporary global plastic art). The researcher studied the subject of hologram in the aesthetic field and contemporary plastic art, as the research contained four chapters, and in the first chapter he addressed (the methodological framework of the research). If the research problem included, which the researcher summarized by asking the question of identifying the aesthetic dimensions of hologram technology and its role in conceptual three-dimensional artworks that keep pace with technological developments and shedding light on the impact on the aesthetic dimensions of hologram technology in global plastic art If the research problem includes the artistic and technical style, then the importance and need for the research, the research objective, the research limits, and the definition of terms, in addition to the procedural definitions that align with the researcher's point of view. Chapter Two: Represents the theoretical framework, containing two sections. The first section represents the theoretical framework, and the researcher addressed the first section: The aesthetic dimensions of technology in contemporary arts. The second section: The concept of the scientific foundations of holographic technology and its emergence. The researcher addressed holograms in contemporary visual art spaces and their connection to technology. Chapter Three: Concentrated on the research procedures, the researcher specifically reviewed the research community, selected models from the community as a sample, and determined the methodology used in the research. Chapter Four: Dedicated to the purpose of the results the researcher reached through the analysis of the selected sample and the conclusions reflected therefrom. The research concluded with a list of approved sources.