Philosophical representations of liquid modernity in cinematographic discourse

Abstract

The cinematic discourse is one of the means of communication that employed philosophy in its topics to pass on its media message. The philosophy of liquid modernity has been intertwined with the cinematic discourse after cinema entered the world of consumption on the one hand and the emergence of the topics of liquid life, liquid love, liquid fear and liquid time in its formal home on the other hand.

The research witnessed four chapters, the first chapter included the problem of research, its importance, problem and limits, while the second chapter included two first topics entitled Philosophical Transitions from Major Narratives to Liquid Modernity and the second topic entitled The Language of Liquid Significance in Cinematic Discourse as well as Indicators of the Theoretical Framework. The third chapter included research procedures such as the research methodology, its society, the research sample (  Dog Tooth) film by the Greek director (Yorgos Lantimos)   , the analysis tool, the analysis unit and the analysis of the sample, while the fourth chapter included the results and conclusions to conclude the research with margins and sources.