The stylistic transformations of nature drawing in the Modern Arab composition
Abstract
Research Summary
The current research tagged (stylistic transformations of drawing nature in modern Arab formation) is an attempt to study the stylistic transformations of nature that Arab artists employed in their artistic productions, by taking advantage of the drawings of Arab artists in their transfer of the nature in which they live, and the colors that are used by each artist in conveying the nature that is distinguished In their country, the researcher proceeded to shed light on this phenomenon scientifically, in addition to dealing with the technique that excites the feelings of the recipient aesthetically, and to see the types and techniques taken as a mechanism for implementation, according to operational systems concerned with recreating and producing artistic work aesthetically. Four chapters The first chapter dealt with: the research problem that was presented and summarized with a question: What are the stylistic transformations of nature drawing in modern Arab formation? In the light of the question received, the importance of the current research was determined. The research included the importance of the research, and the aim of the research is (discovering the stylistic transformations of drawing nature in the modern Arab composition). It was carried out with a variety of materials. The chapter was also concluded with defining the terms of the research title. The second chapter included the theoretical framework. It included two chapters. The first chapter dealt with the concept of stylistic transformations, and the second chapter dealt with nature drawings in modern Arabic formation. Then the chapter ended with some indicators. The third chapter specialized in presenting the research procedures and the research community. Which amounted to (100) artistic paintings, from which three works were selected for some artists of the Arab world in an intentional manner, and then the works were analyzed by adopting the descriptive approach, and finally the fourth chapter, which dealt with each of the results, including the Arab artist’s lack of color consistency between warm and cold colors through the glow of his colors And put the color in the form of color spots, and then come the conclusions, among which the exit to nature by Arab artists is considered the first start of transformations in the drawings of nature, so the exit to nature was the line of embarking on direct drawing from nature. Then, the proposals, the researcher proposed (the aesthetic vision of drawing nature in modern Iraqi art) and then a list of sources and appendices that include a table that proves the sample and shapes.
Keywords :trans formations,stylistics,nature drawings.
