الارت بوفيرا وتمثلاته في تصميم ديكور العرض المسرحي العراقي المعاصر(مسرحية yes Godot نموذجا)

Abstract

Research Summary

: Art Beauvira has formed a wide presence in various arts to give an aesthetic and intellectual character that raises the process of suspense and is considered Art Bovira in the theatrical presentation one of the arts that emphasized the correspondence of reality with its negatives on the one hand and its physical link to the philosophy of theatrical presentation with all its techniques, especially in the design of theatrical decoration for its approach to the contents of the lived reality, so the materials used were commercially drawing the philosophy of the modern theatrical theorist as a material philosophy, especially taking advantage of the characteristics of Art Bovera in modeling and structuring decoration and drawing in the theatrical image Modern in the composition of the theatrical plastic confirms the importance of the use of material close to reality in drawing theatrical decoration has included the current research four chapters are as follows: The first chapter, which is the methodological framework that included (research problem) represented by the following question: What is Art Buffeta, and how to represent artistically and aesthetically in the décor of the contemporary Iraqi theatrical show? This chapter also included the importance of the research by highlighting the art Bovira and how it is represented in the design of theatrical decoration and also included and also contained the goal of the research, which was limited to the definition of (art Bovira and its representations in the design of theatrical show decoration) as determined ... The limits of the research were also determined by the time contract (2021), which was presented in Iraq _ Baghdad As for thematically, the study was specialized in the study of art Bovira and its representations in the design of theatrical show decoration, and this chapter concluded by defining the terms and defining them linguistically, idiomatically and procedurally, while the second chapter was determined in three sections: The first topic: the concept of art bovira, the second topic: art bovira and its representations in theatrical decoration design,  The third topic: Art Bovira and its representations in the global theatrical presentation The chapter concluded with the indicators that resulted from the theoretical framework, either the third chapter: represented by the research procedures, as the researcher chose the play (yes Godot) a model consistent with the directions of the research and its scientific and methodological nature, while the chapter strengthened the quarter results, conclusions and sources