Features of political ideology in contemporary Babylonian pottery

Abstract

Summary

The current research dealt with (Features of Mathematical Ideology in Contemporary Chaikali) in an attempt to grasp comfortably, and through it the recipient can decode the integrated text on its hidden meanings as well as to know the work of classical ideology in contemporary occupants, and the research contained four chapters, the first of which is the framework for my practice of research, which represents the research problem that ceramics acknowledged by answering the following question: - What is the ideology of romanticism in contemporary Babylonian ceramics? The aim of the research is to identify the work of mathematical ideology in contemporary Babylonian ceramics, but the limits of the research included in the first chapter were limited to studying political ideology in Xiamen, Iraq, based on the connections achieved in foreign sources and the information network (the Internet). As for the second chapter, it included two topics, the first introduction to China, including: the concept of political ideology, and the second topic: the loss of contemporary Iraqi and the theoretical framework ended with what is collected from the indicators and previous studies. As for the third chapter, it included the research procedures that included the research community, its sample, and the research methodology (the descriptive methodology) and the analysis of the sample into (5) ceramic works. The fourth chapter included recommendations and production in addition to recommendations and suggestions. The researchers reached a number of results, including:

1. Political ideologization constituted an important step towards discovering new facts by the contemporary Babylonian potter based on adding it to the plot and narrative in the ceramic work as in all the sample.

.2 The contemporary potter contributed to developing new forms of political jungle that depend on the integration of embodying the models used in the intellectual trade of work, which leads to difficulty in moving in front of the potter as in all the sample.

As for the dimensions, we mention them:

1. Achieving many details in the aesthetic miracles to invent new forms and structures that have political ideologization in a way of communication in order to add the aesthetic formal structure in China.

2. Ceramics created an overlap of different races in contemporary Babylon, which led to its formation of other famous celebrities.

Finally, the research ends with recommendations, suggestions and sources.