Obstacles to the performance of the actor In Iraqi theater showings

Abstract

Abstrac :-

              Methodological framework- chpter one - The current research includes 1- The research problem is to answer the following question - What are the Obstacles the actor's performance in the performances of the Iraqi theater?2 - The importance of research and the need for it in the field of scientific research So the current research Serves the cast actors.3- Research Objective:- Getting to know On the obstacles to the actor's performance in the performances of the Iraqi theater.4- Search limits1- Time limit from 2000-2008.place limit nation theater in Baghdad and College of Fine Arts, University of Mosul.5- Subject limits Studying the obstacles to the actor's performance in Iraqi theater performances.6- Define terms:1- the Obstacles. 2-the perfofmance and practical term. - Theoretical framework- chapter tow includes :-                                          

The first topic The concept of obstacles . The second topic Obstacles to the performance of the actor globally, the past students and the research Theoretical framework  . that reseach is ;- 1- Obstacles resulting from the actor's lack of knowledge the actor the text them and the  theatrical showing .2- Lack of presence exercise Fitness Especially relaxation and concentration exercises .3-The mask prevents the actor's face gestures . chapter three analyses the showing theatrethe first play is (out up) writer and directed by (awatif nayeem) , 2000 . the second ply is( Who-from who and way) writer (raad fadel) , directed by( galal gamel) , 2007. And the end ply (sada) writer(mageed hamed),  directed by (hatm ouda) (2008) . the chpter for includes Research results and discussion, namely :-1- the Obstacles in (fook) play Lack of presence exercise Fitness Especially relaxation and concentration exercises for actor (azez ghayon) . 2- Obstacles in the play  (Who-from who and way ) is  The mask that blocked facial expressions for actor (mohamad omar) . 3- the Obstacles play (sada) Lack of actor(samr kahtan) exercise in balance Which led to the lack of spontaneity, which is the essence of   improvisation And this was achieved in the folkloric Arabic dance,  resulting in a disconnection of the connected role line. And then concludes the research with conclusions and a list of the most important references and sources .