Hyperrealism in Contemporary Iraqi Painting (Muzahim Al-Nasiri as a Model)

Abstract

Abstract

The research addressed hyperrealism in contemporary Iraqi painting (Muzahim Al-Nasiri as a model). The research consists of four chapters: The first chapter focused on the methodological framework, including the research problem, which was defined by answering the following question: Has hyperrealism been achieved in contemporary Iraqi painting (Muzahim Al-Nasiri as a model)?

The research objective was to identify hyperrealism in contemporary Iraqi painting (Muzahim Al-Nasiri as a model) for the year 2020-2021. The first chapter concluded by defining the terms. The second chapter included two sections: the first section addressed hyperrealism in contemporary Iraqi painting, while the second section addressed the applications of hyperrealism in the works of Muzahim Al-Nasiri, in addition to the indicators resulting from the theoretical framework. The third chapter addressed the research procedures, including the research community, which was defined as more paintings. The research sample consisted of (3) works. The researcher concluded by analyzing the samples. The fourth chapter reviewed the research results and conclusions.

1- The hyperrealism in the works of artist Muzahim Al-Nasiri was closely related to the artist's psychology. In most of his works, or parts of a single work, it was interspersed with expressive realism and symbolic realism, blended with hyperrealism. This is because the artist does not merely convey reality literally, but rather reshapes it according to his own personal vision.

Among the conclusions are:

1- The artist Muzahim Al-Nasiri used his ability to simulate reality, executing his works with precise detail.

The research concluded with recommendations, suggestions, research references, and research sources.