semantic Formation within the Structure of Political Fiction Cinema

Abstract

 Abstract

It is certain that the constructiveness of semantic formation and its embodiment in the cinematic film space is one of the important requirements that contribute to enriching the cinematic discourse and enriching its contents and hidden agendas and deepening its intellectual structure. Since cinema is the most influential communication channel in society with its broad capabilities to influence the awareness of recipients and in directing public opinion and with its great potential to transmit ideas and convey political proposals and social values, the importance of the political narrative film has emerged as a result of what its cinematic space and its visual formations contain of connotations, symbols, signals and signs, which contributed to the interest of politicians, decision-makers and filmmakers in investing in it as an important tool for spreading political and ideological awareness and various ideas that stem here from the audio-visual system, where the influential capabilities of sound and the expressiveness of the cinematic image with its mental and symbolic connotations and visual connotations that derive their presence and formation according to the activation of the semiotic approach and its employment in the multiple film formations. According to this meaning and content, the research was divided into four chapters. The first chapter dealt with (the methodological framework), which included the research problem, which was represented by The following question is asked: What are the ways in which the semantic formation is embodied in the structure of the political narrative film? It also included the importance of the research and the need for it, and then the aim of the research, which is to reveal the ways in which the semantic formation is embodied in the structure of the political narrative film. As for the second chapter (the theoretical framework), it included three topics: The first topic: semantics and cinematic form. The second topic: cinema and politics. As for the third topic, it is: semantic work in the structure of the political narrative film. The researcher came out of this framework with indicators that were adopted as a tool for analyzing the research sample. As for the third chapter, it contained (research procedures), then after that, the fourth chapter included (results and conclusions), and finally, a list of sources.