The manifestations of the lines in the Iraqi novelist text

Abstract

Abstract

The novelist gender remains that type that is difficult to withdraw under a specific label. The novel is a different and varied literary genre according to the angle viewed by the reader as a recipient and the novelist as a producer of the text. The legendary literary, which represents a large and important part of the literary heritage, that the employment of the legend in the text is the product of a cultural and artistic vision based on other historical and mythological cultural references, that is, it is not an individual vision, it is in the end an aesthetic awareness that is formed aesthetically and intellectually to take from multiple references sources and dimensions. The myth, in its clash with the novel, is not formed based on its ability to paradoxical reality, but rather adopts the narrative construction through the legendary formulation or the legendary formation of reality according to its own laws. According to a constructivist architecture adopted by the Iraqi novelist to make of her legendary characters a gateway to lost eternity in a homeland that has been seized by the scourge of war and destruction.

The study came in the introduction to dealing with the summary of the novel and the narrative construction of events formed, reinforced by the emergence of the Iraqi space with its cultural and social concepts. The research methodology has reinforced two paragraphs, the first looking at the mythical pattern in the fictional formation and the second the fictional character between myth and reality, and then a conclusion that ended with the most important results of the research and an index of the contents of the research, its sources and references.

Keywords: the legendary pattern, the legendary character, reality, the homeland, the narrator woman.