The communicative body and its semantic dimensions in artistic

Abstract

Research Summary:

This research is concerned with studying (the body and the continuity of communication): it includes four chapters, the first chapter is devoted to (the research problem: (There is no body in history that can facilitate access to the vision of aesthetics, despite the specificity of its historical difference, as there is no body that can be taken as a general reference, or ether, or memory of aesthetic communication, as the challenges of cultural communication with the body exist to leak its (erotic) factor as evidence of the relationship with the Western statement, Therefore, scientific logic resorts to measurement based on posing the question: "How is communication sustained through the body?" The importance of the research is evident in "the process of the body's interaction with and influence on social, political, economic, and religious relations, as cultural authorities that can be communicated with through consumption." The research has the goal of "understanding the body and the sustainability of communication." The second chapter includes (the theoretical framework) for two topics - the first: (the body’s movements in cyberspaces), while the second: (the body between the limits of imagination and reality). The third chapter is concerned with the research procedures, as it includes (the framework of the research community amounting to (20) American art posters, and the research sample includes (2) models analyzed according to the criteria of cultural sample communication. The researcher ends by giving results and conclusions.