Vol. 39 No. 52 (2025): العدد 52

Research Articles

• The Effect of Color Gradient and Visual Rhythm on Attracting Attention in Graphic Design Applied Study))

  م. مها عبد الصمد سلمان داود

  182-199

  • PDF (Arabic)

• The aesthetics of employing dreams in the structure of a film

  Ahmed Hussein Jassim

  598-623

  • PDF (Arabic)

• Features of Black Comedy in Conceptual Art - Body Art

  M. M. Hussein Ali Farhan, Prof. Dr. Ali Shanawa Wadi

  761-787

  • PDF (Arabic)

• الإعلانِ المستقبليّ والعنصرُ المهّيمنُ جدلية الشّكلِ والتكنولوجّيا

  Haydar majid jabb, Asst. Prof. Dr. Ayad Dheyab Hameed

  438-470

  • PDF (Arabic)

• Tolerance and intolerance in contemporary Iraqi theatrical texts

  Ammar Nadim Hadi Kadim, A. M. D. Ruqayah Wahab Majeed Bayram

  11-42

  • PDF (Arabic)

• The growing tension in the character of the hero and its implication in the Iraqi the atrical text (Sinjar) as a model

  Murooj Ali Hussein, ِAssist . Prof . Dr Hiba Omran Najim

  304-334

  • PDF (Arabic)

• Technical variables and their role in developing interior spaces

  Assistant Lecturer: Ansam Gheni Abdul Hussein

  1303-1325

  • PDF (Arabic)

• Televised Violence and Its Negative Impact on Children’s Cartoon Programs: Attack on Titan as a Case Study

  Hussein Mohsin Dwaich

  200-223

  • PDF (Arabic)

• Aesthetics of composition in Jabr Alwan’s drawings

  M. D. Ahmed Abdel- Ridha Aliwi

  863-900

  • PDF (Arabic)

• Reflectivity and its Visual Manifestations in Contemporary Painting

  Prof. Dr. Salwa Mohsen Hameed Abdul Ghani Al-Tae

  79-99

  • PDF (Arabic)

• Data of religious thought and its reflections in modern textile designs

  Asaad Ati Halil Saad Al-Moussawi, Elham Taher Hussein Maala

  471-497

  • PDF (Arabic)

• John Millington Synge's Riders to the Sea: Death Versus Life

  Asst. Prof. Ban Abdul Wahab Munji

  43-56

  • PDF (Arabic)

• Scenes Of Challenge In Contemporary Iraqi Painting

  Ihab Abbas Hussein, Dr.Maher Kamel Nafie AL- Nasiri

  335-360

  • PDF (Arabic)

• مقترح بناء برنامج تعليمي قائم على نموذج فان هيل في تحصيل وتنمية الادراك البصري

  M.M. Falah Hassan Daham

  1326-1354

  • PDF (Arabic)

• Plastic treatments in contemporary Iraqi nature drawings

  M. d. Aqeel Abdul Ameer Kazem

  224-243

  • PDF (Arabic)

• The Transformative Origins of the Piano, Expressive Innovation and Social and Cultural Impact

  ئەژی اکرم محمد امین الباحث:, أ.د. إحسان شاكر زلزلة

  1219-1233

  • PDF (Arabic)

• The role of the main elements of music in Kurdish theatrical performance

  Nasser Hashim Badan, Shene Mahdawi Ahmed

  100-127

  • PDF (Arabic)

• The Philosophical Actor and the Transformations of Decentralization in Postmodern Theatre (The End of the Earth as a Model).

  Assistant Professor Abbas Kadhum Rhaima.

  706-734

  • PDF (Arabic)

• The cultural system and its reflections in the Iraqi commercial theatrical performance

  Sadiq Jalil Ashour, As. Pro. Nouris Mohammed Ghazi

  57-78

  • PDF (Arabic)

• Representations of cultural privacy in the works of Iraqi female potters

  أ.م. اسعد جواد عبد مسلم, الباحثة: هيلين خميس حميد

  361-383

  • PDF (Arabic)

• "The Morphology of Plant Leaves as a Source of Enrichment in Environmental Ornamental Design"

  Dr. Samer Ali Abdulhasan

  498-524

  • PDF (Arabic)

• Technical effects on the ceramic surface resulting from variations in weight ratios

  Dr. Ali Salah Falah

  245-260

  • PDF (Arabic)

• The constructivism of the mental image of digital formation and its manifestations in the cultivation of aesthetic awareness

  Dr. Sahera Fakery Salama

  1234-1264

  • PDF (Arabic)

• Bauhaus and Its Reflection on Stage Design

  IBRAHEEM ABDULLAH JABOR, Asst. Prof. Dr. Shaimaa Hussein Taher

  128-152

  • PDF (Arabic)

• Stylistic Features of Slow Cinema Films

  M. Dr. Nawres Safaa AbdulJabbar

  735-760

  • PDF (Arabic)

• التضافر بين الواقع والأفتراض في تصميم البيئة الداخلية الرقمية

  Ammar Neamah Kadhim, Raja Saadi Lafta

  1061-1085

  • PDF (Arabic)

• The Diversity of Contemporary Iraqi Aesthetic Experiences in the Diaspora

  Baraa Anees Ibrahim, أ.د. إيمان خزعل عباس

  384-410

  • PDF (Arabic)

• Directing treatment of the introductory scene in the theater speech (the play of the black hour as a model)

  Prof: Muhammad Hussein Muhammad Habib, Zahraa Muhammad Zaki

  525-545

  • PDF (Arabic)

• The communicative body and its semantic dimensions in artistic

  Dr.ALI AZEEZ ABDULHASAN

  261-287

  • PDF (Arabic)

• The use of visual effects and their role in the aesthetics of montage, the movie (AVATAR) as a model

  Ameer Ayad kadhim Al-sallami

  1265-1281

  • PDF (Arabic)

• Cultural pluralism in the discourse of contemporary Iraqi theatrical performance (The Savage Wedding play as a model)

  Dr.Mohammed Kazim Hazim, Akram Sadiq Obaid

  153-181

  • PDF (Arabic)

• The Aesthetic Characteristics of the Basil Script Formations: A Case Study of Ibn al-Bawwab

  M. M. Rana Naji Muhammad Al-Khalidi

  787-811

  • PDF (Arabic)

• Levels of creative production in contemporary ceramic sculpture

  Firas Emaid Noori, Turath Amin Abbas

  901-925

  • PDF (Arabic)

• Eclecticism and its Representations in Contemporary Iraqi Ceramics

  Thammam Yahya Yassin, Prof. Dr. Enas Mali

  411-437

  • PDF (Arabic)

• Environmental Aesthetics Between Figuration and Abstraction in the Paintings of Hashim Hannoon

  Zainab K. Sahib, Salam Hameed Rasheed

  546-572

  • PDF (Arabic)

• Euripides' The Trojan Women and Edward Bond's The Woman: Ancient and Modern Shrieks Against Wars

  Asst. Prof. Muhsin Abdul Hasan Nasir

  288-303

  • PDF (Arabic)

• Psychological burden and its representations in modern European art

  Ban kadhim gwad, azhar kadhim karem

  1282-1302

  • PDF (Arabic)