The dynamics of interaction between directorial treatment and acting performance in the theatrical performances of Ahmed

Abstract

Search summary:     The theatrical performance, with its aesthetic components, travels to form an aesthetic space formed by the directorial treatment with its technical tools that create another world towards creation and innovation in a dynamic relationship with the theatrical performance, which is the foundation of that directorial treatment, which changes from one show to another and thus requires a special type of theatrical performance that In turn, it is consistent with the principles of these directorial treatments, and in this theatrical work becomes a collective work with its intellectual and aesthetic dimensions in a unified discourse that achieves integration in the theatrical performance. In the performances of Ahmed Mohamed Abdel Amir, the dynamic, interactive relationship between the directorial treatment and the acting performance formed a fertile and changing ground for It is characterized by stability. Therefore, the research included four chapters, the first of which dealt with (the methodological axis), including the problem in its question (How is the dynamic interaction between the directorial treatment and the acting performance manifested in the theatrical performances of Ahmed Mohamed Abdel Amir?), while the importance of the research in its search for the dynamic relationship between the directorial treatment and the performance The representation in the performances of Ahmed Mohammed Abdul Amir, and the aim of the research is (to reveal the dynamic relationship between the directorial treatment and the acting performance in the performances of Ahmed Mohammed Abdul Amir), as for the limits of the research: spatially to include the theatrical performances directed by Ahmed Mohammed Abdul Amir presented in Iraq, and temporally from (1999-2012), as for the subject, it is determined by studying the dynamics of the interaction between the treatment The acting performance in Ahmed Mohammed Abdel Amir’s theatrical shows, and the chapter concluded with defining the terms. The second chapter (the theoretical research framework) included two topics. The first was concerned with studying (the dynamics of interaction between directorial treatment and acting performance in the global theatrical show), and the second chapter was concerned with studying (the intellectual and aesthetic references of director Ahmed Mohamed Abdel Amir). The chapter concluded with the indicators that the researcher arrived at. The third chapter included the research procedures, including the community from which the research was formed, which included(8) theatrical performances presented in Iraq during the period (1999-2012), and the two research samples, namely (Waiting for Kozan) and (Crystal), were chosen intentionally. The chapter also included the research methodology, the research tool, and the sample analysis. The fourth chapter dealt with the results, conclusions, recommendations, and proposals of the research, and then concluded with a list of sources.