The Philosophical Actor and the Transformations of Decentralization in Postmodern Theatre (The End of the Earth as a Model).

Abstract

Summary

This research, titled "The Philosophical Actor and the Transformations of Decentralization in Postmodern Theater (The End of the Earth as a Model)," focuses on two important areas in theater. The first area comes from philosophy and looks at how postmodern actors show decentralization. The second area is about how decentralization has changed in postmodern theater performances. The connection between philosophy and theater has a long history. The research includes four chapters, as follows:

Chapter One, titled "Methodological Framework," discusses the research problem, the importance and goals of the research, the time, place, and subject of the study, and explains the main terms.

Chapter Two, "Theoretical Framework," has two parts. The first part explains the idea of the philosophical actor and the changes in decentralization. The second part is called "Transformations of Decentralization in Postmodern Theater." The chapter ends with key points from the theory.

Chapter Three, titled "Research Procedures," explains the research group, the methods used, the tools, and the analysis. The chosen play for the research is The End of the Earth.

Chapter Four, titled "Research Results and Discussion," explains the most important results of the research, gives some conclusions, and ends with the sources and references.