Parodies in the Works of the Artist Paul Kuzinski

Abstract

Conclusion

    The first chapter, the methodological framework, included the research problem, which posed a question about the mechanism of circulating satirical simulation in the drawings of the artist Paul Kosinski. The importance of the research was about the sarcasm that addresses social, political and cultural topics embodied in the artist's works. The aim of the research included revealing satirical simulation in the drawings of the artist Paul Kosinski, while the boundaries of the research included the artist's drawings between the years 2004 and 2018. The second chapter, the theoretical framework and previous studies, dealt with the first section of the concept of satirical simulation, while the second section contained satirical simulation in the modern and post-modern eras. In the third chapter, the research procedures were included, which included the research community (70) paintings by the artist Paul Kosinski with satirical dimensions, from which the researcher drew (9) drawings to be models for the analysis process, as they dealt with the research topic and its objectives, relying on the descriptive analytical method. The researcher concluded the fourth chapter with the results and conclusions, then the proposals and recommendations.