(Author-director) in modern theater Brecht as a model

Abstract

Abstract:

The research works on the phenomenon of (author-director) in modern theatre, addressing Brecht's theatrical works as a model for study, and as an author and director of plays, by exposure to his directing tasks and the way he treats the theatrical text during his directorial translation on stage by addressing the subject in two sections focused on the foundations that combine the work of The author director in embodying his theatrical works dynamically. The first topic dealt with the director’s vision of the ideological structure in the text and theatrical performance at Brecht, by referring to the ideological perspective that Brecht put forward in the production of high writing and directing. The second topic dealt with the dramatic function in writing the text and preparing the presentation at Brecht. The topic shows the elements that the author takes into account while writing the text, and during his output to the work