Conceptual dimensions of the human image and its approaches in pop art In light of the deconstruction strategies of Jacques Derrida

Abstract

ABSTRACT

The results of this study are:-

The research tagged (the conceptual dimensions of the human image and its approaches in pop art in light of the deconstruction strategies of (Jacques Derrida)), by studying the conceptual dimensions of the human image and its representations in folk art according to the proposals of (Jacques Derrida), so the researchers sought in the first chapter to clarify The research problem, its importance and the need for it, as well as the research goal, which is represented by (knowing the conceptual dimensions of the human image in folk art in the light of the proposals of (Jacques Derrida)), then the researchers finished the aforementioned chapter by defining the terms. As for the second chapter, it included a presentation of the theoretical framework and previous studies, which resulted in two sections. The first section dealt with: (A study in deconstruction strategies of (Jacques Derrida)), while the second topic was concerned with (Pop Art: Concepts and Applications). As for the third chapter, it was concerned with Monitoring the research community by adopting the descriptive approach for the purpose of analyzing it according to the indicators adopted by the researchers. As for the fourth chapter, it contained the results and conclusions of the research, which included: -

• It appeared through the analysis of the research sample models that there is a process of undermining the human personality in the sense of the fragmentation of the human self after the process of dismantling the structures in the light of the dismantling strategies of (Drida) through caricature forms as in model (1), (3), from the research sample or through operations Distortion and distortion of the human being, while the person appeared as an alienated orphan, as in Model No. (2) within artistic treatments characterized by distortion that undermine human thought and values ​​in forms characterized by distortions, whether by techniques of painting or sculpture and spontaneous colors, which contribute to the disintegration of the formative structure of the human being.
• The conceptual dimensions of the human image in Pop Art in light of Derrida's deconstruction strategies confirm the lack of self-cohesion and disintegration, and that man is no longer the center of the universe, just as he is no longer the center of artistic work and has lost its purpose.
• The conceptual dimensions of the human image in Pop Art in the light of Derrida's theses confirm the death of man, reason, modernity, language and history, and such names are absent in the achievements of Pop Art that believe in nihilism.

   Keywords: human image, folk art, deconstruction, Jacques Derrida