Directive treatments of neutrosophy and the third meaning in theatrical performance (Maiet Matt play as a model
Abstract
Theatrical art in general is considered one of the renewable arts, which, throughout its artistic, technical, intellectual and aesthetic history, searches for innovative treatments that are compatible with technological development in the fields of knowledge, in order to reach artistic integration in theatrical performance. Theater directors, actors, legalists, authors and critics, they are in constant search for everything that can develop from the art of theater in form and content. Theatrical arts have gone through several developments and discoveries over the past ages, starting from the Greek eras to our present time. Philosophy is one of the sources according to which the theatrical performance system is formed in thought and beauty on the one hand, and its impact on technology and the artistic image on the other hand. Other philosophies contributed to framing theatrical performances through their philosophical ideas and premises.
In the modern era, the term “neutrosophy” has spread, and it represents concepts different from the systems of interpretation or the systems of deconstruction and artistic restructuring in more than one form and meaning. The subject is temporally and spatially, and you cannot find an echo in the first situation or in the second situation. Rather, it is the product of multiple different readings to produce a third, new and distinct meaning that is not visible, and it may be implicit for aesthetic and intellectual reasons that the presentation seeks to show and reveal its dimensions.
The (researcher) tried to decipher the codes of the Neutrosophical philosophy and its aesthetic approaches, as well as the concepts of the third meaning and the mechanism of their formation in the structure of the theatrical performance, and to stand on the foundations of that construction, and to understand the parts and their interrelationship among them, to produce the different meaning in the space of the theatrical performance, since the show consists of a group of The elements represent the totality of the tools, including the actor, director, author and technology, but the sum of the dramatic values is formed from personality, dialogue, conflict, plot, idea, climax and all kinds of solution. All of these elements are subject to situations to produce a new and different meaning. The aesthetic question requires us to reveal the structures of neutrosophy and its relation to the third meaning and how they are formed in the structure of theatrical performance and For this reason, the (researcher) chose the title of his research (Directive treatments of neutrosophy and the third meaning in the theatrical performance) (Maiet Matt) play as a model, describing that treatment is an attitude and detection of the implicit through the third invisible meaning and the aesthetics of formation through the theatrical image in the space of the theatrical performance.
Keywords: neutrosophy, the third meaning, morphology, excretory processing
