The Aesthetics of Religious Scenes and Thier Manifestations in Orientalist Painting

Abstract

Abstract

The research tagged with (The Aesthetics of Religious Scenes and Thier Manifestations in Orientalist  Painting) included four chapters. ? What are the mechanisms and means of manifestation that enhanced the functioning of these manifestations? Then the importance and need for the current study was reviewed, as well as:

The aim of the research: (to know the aesthetics of religious scenes and their manifestations in orientalist painting), then the limits of the research: the executed paintings that show us religious scenes and their manifestations in orientalist painting, an analytical study in the values of tolerance and Islamic peaceful coexistence for the period (1839-1887) in each of (Syria - Egypt - Iraq - Palestine and its manifestations in art) as well as defining the search terms.

The second chapter (theoretical framework) included two sections: The first section includes two axes, the first is represented by: aesthetics and manifestation, the second axis is represented by: religious scenes in art, and the second section includes two axes, the first of which is: Orientalist painting: origins, development and artistic characteristics, and the second axis is represented by: tolerance And coexistence under Islam ended with the most important indicators, as dealt with in the third chapter (research procedures): 1- the research community 2- the research sample 3- the descriptive approach was relied upon (content analysis), 4- the analysis of models from the study sample and the research ends with the most important (results, conclusions, recommendations , proposals), and the most important scientific sources have been documented.

key words:( Aesthetics and manifestation in art - religious scenes - orientalist painting - culture of tolerance - peaceful coexistence)