The duality of war and peace in the Iraqi theatrical text, the play (garbage) as a model
Abstract
Abstract:
The theatrical chapters dealt with issues of war, violence and peace and their relationship with the society in which war disasters occur. The extent of the negative effects of those wars on the joints of society. Through the phenomenon of the prisoner's personality and his relations with his family, and the accompanying conflicts and contradictions.
This research is a serious and purposeful study that wars have great effects on the Iraqi theater writers and that most of the titles revolve around the theme of wars and moral deviations and the extent of their jurisprudential, intellectual, social and political effects and the influence of theatrical texts on the artistic phenomena that created a path for Iraqi theatrical texts, as their source is the new virtual reality as a product of wars.
The research contributed that the theater should be a defensive means that rejects all manifestations of violence, including killing, destruction and displacement, with all that transformed it from the remnants of wars far from the human right to a decent life, and the serious human quest for freedom and the dominance of internal and external control, and the rejection of dictatorships, for example.
While the importance of the research was manifested in identifying the duality of war and peace in the Iraqi theatrical text and that the temporal limits of our research from (1995) in Iraq and the play of Garbage by the author Ali Al-Zaidi as a model.
The research included three chapters, where the first chapter included the research problem, its importance and the goal of the research in addition to the limits of the research and the definition of terms. As for the second chapter only, it included two topics, where the first topic was the eras of war and peace in the theater globally, while the second topic was about the war and its effects on the Iraqi theater.
Keywords: war, peace, theatre.