Methods of mixing between scenographic elements and silent performance techniques

Abstract

Abstract :

When looking at the great technological revolution that has exploded in our time and the new technologies it has produced, we see that there is a cognitive marriage that has occurred between various sciences, such as what happened between medicine and music in the treatment of some cases of depression, and what also happened between computers and medicine in performing surgeries, and so the various industrial and commercial sciences today do not work except with the presence of this advanced medium called technology. WassaPurely major companies compete with each other to develop, modernize and employ the means and software in which they operate, taking advantage of this technology and its developments by employing it in various aspects of science and knowledge The theater is the cosmic world that does not divide and does not move away from this reality, it is the son of the moment and the tongue of the speaker expressed and at the same time it was a pioneer in the exploitation of these technologies in their artistic form or industrial mechanization and make them an essential means in his artistic production, through new visions different from what already exists

Thus, this world turns into a place of maker and producer of future variables that open the way for new creations, but what has also happened in the world of theater in our time is the directors' quest to train the actor to create a contemporary artistic environment that adopts the language of silence, sign and physical movement and make it a universal language, hence the title of the research (methods of mixing between scenographic elements and silent performance techniques), where the researcher dealt with itThe research is the goal of the research, which was to reveal the methods of mixing between scenography techniques and silent performance techniques, and then its importance and limits with the definition of the terms contained in the title, and in the theoretical framework - the first section - the concept of silent performance and its stages of development were clarified and in the second section - scenographic techniques and their impact on silent performance. The researcher is the most important results he reached, perhaps the most important of which is (the terrace was displayed by (Data Show) from behind the screen and the music in this scene played an important role in the production of meaning because it is an overlapping sounds of the movement of those instruments and gears and one rhythm) and the research ended by mentioning the most important conclusions, and a list of margins and sources.

Keywords: mixing - scenography - silent performance