The Directorial Vision of the Active Forces and Their Embodiment in the Iraqi Theatrical Show
Abstract
Abstract:
The research derives its theoretical material from the formal studies that deal with the narration from the linguistic point of view with a diagnostic dimension in which the actual sentence turns into (a gap) that can be embodied with imaginary visions of a symbolic nature. The research consisted of four main chapters. The first chapter dealt with the research problem, which centered around the following question: (What is the directive vision of the active forces and the possibilities of their embodiment in the Iraqi theatrical performance?), and the importance of the research that stemmed from the fact that it sheds light on an active model that contributed to the development of an analytical vision of the dramatic act derived from the narrative rules, which provided literary criticism to come under the coverage of the theatrical scene. The aim of the research, which was outlined in defining the directive vision of the active forces and their embodiment in the Iraqi theatrical show, and the limits of the research: temporal (2016 AD), spatial: (Iraq), and objectivity: studying the directive vision of the active forces and their embodiment in the Iraqi theatrical show, in addition to the procedural definitions of the terms contained in Research Title. As for the second chapter (Theoretical Framework), it included two sections. The first topic dealt with: (The concept of mechanistic active forces and work). As for the second topic, it dealt with: (the directive vision of the active forces in the global theatrical show), along with mentioning the indicators that resulted from the theoretical framework. The researcher devoted the third chapter to the research procedures, in which the research sample was identified and chosen in an intentional way to be a model in the analysis, and it was represented in the play (Ya Rab) written by (Ali Abdel Nabi Al- Zaidi), and directed by (Mustafa Al- Rikabi), and the researcher adopted the (descriptive) approach in Sample Analysis, as dictated by the nature of the current research. At the end of her research, the researcher mentioned the results that emerged from the sample analysis and the conclusions that were based on the results, then the list of sources.
Keywords: Actant , subject , acteur .
