Revolutionary representations in contemporary plastic art Iraqi
Abstract
Abstract
The revolution constitutes a process of transformation, whether negative or positive, as a result of scientific struggles and serious studies that overlapped with various scientific and human disciplines to form their revolution as an effective joint in the growth of their research. Between the previous and what it became after the revolution, and it was represented in art by producing artistic achievements that broke the barrier of stillness and stability and striving for change in the intellectual and technical aesthetic approach. The researcher sought to investigate it within four chapters representing the first chapter with the research problem according to the following question: What are the aesthetic and intellectual motives that paved the way for the revolution in the contemporary Iraqi formation? The importance of the research and the need for it, as well as the goal of the research to identify the revolutionary representations in contemporary Iraqi formation, within the limits of the research, with contemporary Iraqi plastic works of artists inside and outside Iraq with revolutionary topics within the period (1950 _ 2021 AD) and the second chapter came from the following topics: First: the cognitive concept of revolutionary And the second: the revolutionary discourse in the contemporary Iraqi formation. As for the third chapter, it included : The first: the cognitive concept of revolutionary, and the second: the revolutionary discourse in the contemporary Iraqi formation, and the third chapter included: the research community and its sample, the method used and the research tool, and then the analysis of the research sample, until the researcher concluded her study in the fourth chapter and included the results, which are:
1- The revolutionary in its presentation requires a realistic or expressive product, or in line with it at the level of artistic formation in figurative or symbolic, relatively pure abstraction may move away from it, this is in the aspect of political revolution.
2- The civilizational root was not in the achievements (research models) seeking to achieve an inherently creative aesthetic, but the aesthetic and intellectual civilized building was attended to stimulate society and remind it of the cultural value that established a great civilizational achievement in which there is a lot of revolutionary, in addition to its revolutionary in history bears the character of revolutionary In the aesthetic presentation.
Keywords: revolutionary, Iraqi formation, freedom, Faiq Hassan, Faisal Laibi
