The implications of the concept of identity in contemporary Kurdish ceramic
Abstract
Abstract :-
This research is concerned with studying (the repercussions of the concept of identity in contemporary Kurdish ceramics), and it falls into four chapters.
The research problem dealt with the repercussions of the concept of identity and its artistic, intellectual and psychological effects on contemporary Kurdish ceramics, by answering the following question:
What are the formal data for contemporary Kurdish ceramics? Were the repercussions of this reflection on the concept of privacy that contribute to strengthening the principle of Kurdish identity?
As for the importance of the research, it appeared by shedding light on the concept of identity, because of its impact on the hearts of artists, especially after the overlap of globalization and its foundations in all the facilities of human life, which affected intellectually and cognitively the methods and formal features of artworks, which contributed at the same time to the confusion of understanding about ID the features of identity, and its circumstances, in an understandable manner within the system of correct foundations that organize within thought, and make it a formal given that carries a distinctive specificity. In addition, the research is an important cognitive reference for students of ceramic art, through the cognitive establishment of the most important formal features that reveal the concept of identity, which allows scholars and researchers to understand the critical process of ceramic art within the objective limits of the research and according to the research objectives, which is to identify the formal characteristics of Kurdish ceramic and also identifying the latent intellectual contents, which contribute to strengthening the local identity within the movement of contemporary Kurdish formation.
The second chapter is based on the theoretical framework and is based on two sections. The first topic deals with identity - the concept and meaning, while the second section includes three axes. The first axis is based on the formal characteristics of the concept of identity in plastic arts, while the second axis emphasizes the repercussions of identity and its connection to the concept of local specificity it came to establish the concept of rooting identity in the Kurdish plastic art.
The third chapter dealt with the research procedures, in terms of society, including the availability of models that were monitored from specialized sources, and from contemporary potters and up to 30 works. One of its most important results was, 1- The influence of the potter’s upbringing and his environmental references, which are saturated with its images and influences, to be reflected in his role in his work, these potters the features and characteristics of the local identity, 2- The culture of the community, which shaped A privacy that gave him an integrated and unified whole, as this privacy worked to build the identity of the artist, and thus the identity of his artistic productions.
3- The expressive factor had a clear dimension, as one of the works is not devoid of an expression of political, environmental, religious, cultural or heritage positions, which the contemporary potter tries to express in his own style using his malleable material .
Keywords - repercussions, identity, ceramic.
