The aesthetic unity of the synthesis design between the fabric and the overall image of the costume (The ancient Babylonian costume as a model)

Abstract

Abstract:
The aesthetic unity of the synthesis design between the cloth and the general image of the costume (the ancient Babylonian costume as a model)
The problem of the research lies in the lack of aesthetic studies concerned with the harmonious synthesis aspect between the design unit and the uniform assigned to it. As for the importance of the research ,it emphasized the possibility of achieving scientific, objective and technical benefit for scholars and those interested in the design field of cloth and clothing and for the revival of history. The goal was to reveal the aesthetic unity of the synthesis design between the fabric and the general image of the costume, As for its limits, it was determined by the aesthetic design of the synthesis between the fabric and the general image of the costume of the Babylonian civilization between the two centuries(18-6)BC. The second chapter included four topics, the first of which was the aesthetic intellectual connotation, the synthesis in the artistic work, the elements of the design process, and finally the Babylonian fashion. As for the third chapter, the researcher adopted in her research procedures the descriptive analytical approach, and then the samples were analyzed. The fourth chapter came with the results, and then the researcher mad recommendations and suggestions.
Synthesis