Expressive dimensions of scenes of religious Figures in Christian photography

Abstract

The famous research strives to study (the expressive dimensions of scenes of multiple styles in contemporary photography) in a very important transitional period that the art of painting went through, extending from the end of the Middle Ages to the beginning of the Renaissance era. The research includes four chapters. The first chapter was concerned with the general framework of the research, represented by the problem of research and defining The need that it identifies by answering the question: (What are the expressive dimensions of scenes of multicultural figures in religious photography?) It also includes the importance of research, the need for it, the limits of research, and the most important terms that are defined in it. As for the second chapter and the theoretical framework, it contains two sections, the first (expressivity) (conceptual). Philosophically) The second section includes (the formal and expressive transformations depicted in the art of victory). While the third chapter covered the research procedures, fifty works were selected and (3) works were selected for the comprehensive research.

The fourth chapter presented the research results and their discussion.