Representations of the unconscious in the drawings of the artist Giuseppe Arsimboldo

Abstract

         The research below progressed to know the representations of the unconscious, which is the other form of the composite image in plastic works in an important time that plastic art passed through consecutive eras, which is the Renaissance period, and the research included four chapters. The first (general framework of research) represented by the problem of research and the need for it. The problem ended by answering the following question: How is the unconscious in the drawings of the artist Giuseppe Arsemboldo?, as well as the importance of research and the need and the limits of research with the definition of the terms contained in it. The second chapter contained two researches, the first is the subconscious in psychology, and the second topic is the semantic data of the feelings in the paintings of the artist Giuseppe Arsemboldo, while the third chapter included the research procedures and the research community included fifty works and the research sample was selected, which was represented by four works and the approach used, which is the descriptive analytical approach with sample analysis, while the fourth chapter included the results of the research and their discussion                      

Keywords: representations - feelings - the composite image - the Renaissance