Dystopia and its manifestations in the works of potter Maria Rabnik
Abstract
Abstract
The current research dealt with the study of (Dystopia and its manifestations in the works of the potter Maria Rubinc), and it consists of four chapters. The first chapter was devoted to explaining the research problem, its importance and need for it, its goal, its limits, and defining the most important terms included in it. The research problem was determined in studying dystopia and its manifestations in the works of the potter Maria Rubinc, and then how this artistic style (dystopia) called for steady research requirements as a result of what it established in terms of an intellectual and structural transformation of forms, contents, and techniques, as it introduced contemporary ceramic art within the mechanism of aesthetic communication and the structural presence of formulations that contribute to the process of artistic production of the contemporary plastic achievement in general. From here, the problem of the current research arose by answering the question (What is dystopia and its manifestations in the works of the potter Maria Rubinc). Achieving an aesthetic result by relying on dystopia and different materials and their composition as part of the artistic composition? The researcher will stand on the components of building this study and achieving its goal. The study aims at: Dystopia and its manifestations in the works of the potter Maria Rubinc. As for the limits of the research, the objective limits included studying dystopia in the works of the potter Maria Rubinc, with time limits (2000-2022), and spatial limits in the United States of America. The term (dystopia and its manifestations in the works of the potter Maria Rubinc) was also reviewed. While the second chapter was devoted to the theoretical framework that included the topic of manifestations of dystopia in contemporary art and the most important indicators that resulted from it, then previous studies, while the third chapter included the research procedures and the research community, choosing the study sample and analyzing the research samples. This study concluded with a presentation of the most important results in the fourth chapter, including: Dystopia in the works of the potter Maria Rubinc achieved diversity and difference in the intellectual and cognitive proposals that fell under the banner of the transition of consciousness from the individual to the collective.Dystopia in the works of the ceramicist Maria Rubinc introduced new concepts in the field of contemporary global ceramic artwork such as disgust, provocation, anxiety and confusion
