Body and Deconstruction in Contemporary Theatrical Script

Abstract

Research summary:

          The body has reached a prominent stage in the formulation of theatrical discourse in its contemporary forms, and has even entered the field of writing itself, at the hands of the theatrical absurdity, and what they distinguished in their texts from including the engines of postmodernism, and their vision of contemporary man, and it was for (Jacques Derrida) and his proposals in deconstruction.  An interaction through which one senses the extent of the bonds between him and what postmodernism went to in its statements, and because the dissolution of the origin, the margin and other data constitute a factor that reached the variable in revealing the image of the contemporary man.

          Because of the importance of this topic, which has become its presence in the crossroads reached by contemporary man in general, and theatrical personality - as a human model - in particular - the researcher's interest came in formulating the title of the current research, and this research has been studied as follows:

    The first chapter - the methodological framework, which included posing the research problem that was built on the following question: What role does the duality (body - deconstruction) play in formulating the transmissions of the contemporary theatrical text?  It was also pointed out, the importance of the research and the need for it, and the goal of the research, which was linked to the following: revealing the relationship between the body and deconstruction in the texts of contemporary theater, especially those of them belonging to the requirements of the postmodern theater.

 Then the limits of the research were explained, and the definition and definition of its salient terms.

    As for the second chapter, it included the (theoretical framework) and was based on two topics:

 - The first topic: The first topic - in the dismantling of man

 The second topic - the body and deconstruction in the contemporary theatrical text:

          Then the theoretical framework was concluded with the research indicators, to move in the third chapter to (research procedures), which were based on the analysis of the research sample, represented by the text (Waiting for Godot) by (Samuel Beckett).  Then come out with the most prominent results and conclusions.  Finally, a list of sources and references.

Key Words: The Body - Disassembly