The biology of the hidden patterns of evolutionary behavior in the theatrical model (the study of ethnomethodology) Dialogue (master and slave) model

Abstract

At the present time, theatre sciences are the most well-known arts in our lives, which have the greatest favor because it has the largest number of arts. The significance of this paper is the importance of the historical starting point as well as it is a journey to study for the identity that immortalized the theater, and gradually formed it and then its historical process, there is no accident that produced and crystallized this thought and what we will go through in it is only a journey to study for what is the behavior and identity And because man is the supreme value in the universe, this journey of research will be a springboard for humanity and awaken the feeling of its sovereignty. It is a research and investigation to study human behavior and intellectual orientation in the study of culture and non-displacement towards genomics in the study for the historical beginnings of things, facts and semantics, with the beginning of humility and location or research into the relative and temporal variable of the historical circumstances that make up the forms of human knowledge discourse. The indifference to the young things of events and historical changes is the one that leads to false appearances and distortion of the purity of things, the body of our process is the theater and what is connected to it may be the product of the original or real history, and if the source turns us to a kind of past with its roots - a past that has passed - If the theater is not subject to its birth and its behaviour is not a mechanism, nor a conscious, why is it so present and what its purpose and mechanism is, the event and the fact show that they may be accompanied by the characteristic of permanence. Or disappearance is the embodiment of the hegemony of the will and power (individual or group) that they possess at the expense of another party that is weak in the way of that power, the strength of the group may be characterized by temporary or permanent domination, and the theater with its multi-fold turns has been characterized by permanence throughout the ages and dhows, What suggests that it came from a permanent force and not a temporary, but the restored theatrical past and its identity are nothing but the creation of individual behavior or a group of human beings who worked hard to form their successive images after its cognitive horizons expanded throughout history and started something Gradually, history begins to become a permanent and becoming at the expense of the things that have been stuck with it, which may distort its original view, not the real, and we emphasize here (the reconstruction of the evolutionary classification Phylogenetic reconstruction) and the evolutionary relationships of the theatrical genetic genealogy, after the polymorphism was the advantage that characterized the beginning of the historical development of theatrical culture.

Keywords: ethno-anthropology, social biology, genetic theater, evolutionary behavior.