Sufism and its manifestations in the speech of the theatrical performance The play (Tawasin) as a model

Abstract

Abstract

The phrase of the French poet Saint John Pierce contained in his great poetic work (narrow are boats), which says that (no history but the history of the soul) is a passing phrase or single in a linguistic space, but it is one of the most important Sufi fragments and ways that carry in its significance an edifice of knowledge in the soul The most important components of Sufism by approaching the human self to the divine self and dissolve it where it is difficult to express it in ordinary language and this is what made Sufism close to art and theatrical art Precisely what Sufism found its echo in his speech and manifested in his ritual, theatrical techniques can make a Sufi theatrical show of change because they work to present the world in a new and different way, an image full of symbols and signs and manifests the self. In the light of the foregoing, the researchers section the subject of the research to the introduction and three chapters of the first chapter (the concept of Sufism and its references), while the second section dealt with (Sufi performances in theatrical weather), while the third chapter included the analysis of the theatrical presentation represented (Tawasin) and then concluded the research conclusion with results and sources.

Keywords: : approaches, Sufism, discourse, theatrical performance.